A Shift to Tiered Pricing

It is a core philosophy of PUGS that everyone should be able to learn without having to go into debt. That is why we allow everyone to pay tuition based on their earned wage, and we also place a high-value on providing our instructors with healthy compensation for their time and expertise - PUGS profits with instructors, not from them.

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All of this may be old news to experienced PUGGERS who are familiar with our core values, but we're not sure our Radical Pricing and Generosity Policy is always readily apparent to someone hearing about PUGS for the first time. We've developed a hypothesis that some prospective students come to our website, see the listed cost of a course at, say, $200, and don't dig deeper to understand that the cost is tied to the median Portland wage of $32 per hour and would cost less if they have a lower wage.

To help bridge this information gap, we've decided to make our pricing simpler. We aren't changing our Pricing Policy, mind you, just making it more readily apparent. Instead of listing one price and hoping folks know that our pricing is flexible based on wage, we're simply going to list three prices - Standard, Middle-Income, and Low-Income.

Standard pricing will continue to be tied to the Portland median wage. Low-Income will be for people who make $15/hour or less. And Middle-Income will be for people who make between $15-30/hour. And on top of this three-tiered system, we'll continue to work with anyone who wants to take a course but doesn't fit neatly into these three boxes.

We hope that this shift in how we frame our pricing policy will mean more learning, a bigger PUGS community, and more money for our instructors. But we won't really know until we try it for a few months - our PUGS students aren't the only ones who never stop learning.

Please feel free to share your feelings on the shift in the comments or email operations@pugspdx.com!

Meet Morgan: Our New Operations Manager

PUGS is excited to announce the arrival of a new member of our team! Morgan Fitzgibbons will be taking over as Operations Manager, replacing Jess Kibler who is headed to the University of Iowa to pursue an MFA in Nonfiction Writing. Jess has played a big role here at PUGS and, while we’re sorry to see her go, we’re excited to see what Morgan can bring to our community. Let’s learn a little bit about him!

What’s your connection to PUGS? I’ve only just moved to Portland from Ohio in February, so I’m grateful to step into the role of Operations Manager despite not having a ton of direct contact with PUGS prior to being hired. I think PUGS chose me amongst a bunch of other qualified people because I have a lot of experience with organizations that are like PUGS - community based, radical, fun, even a little defiant of the what people thought was possible. I’ve led or co-led various organizations over the years, from a neighborhood resilience organization to a competitive underground community dinner to a weeklong community festival to a month-long activation of a 14,000 square foot warehouse to the non-profit area of a major music festival. Plus, I taught courses on community organizing, the Hippie movement, and even a course on the history of the Universe for four years at the University of San Francisco, so I think having that background in formal academia was a bonus as well (although I like to think my courses would have been right at home at PUGS too).

What will you be bringing to PUGS? First and foremost, I’m going to be working my hardest to fill Jess’ shoes - helping to curate courses, lining up classrooms, marketing, logistics, web design, etc. My head is spinning a bit, but it’s starting to slow down and I’m grateful that we have a month of overlap so I can learn the ropes. We’re also going to be consolidating the Operations Manager  and Coordinator positions, so I’ll be adding all of the coordination with students to my task-list. But once I get all the to-do lists lined up, I’m really excited to work with the PUGS community to dream up fun ways for us to connect with each other, both inside the classroom and out. We have great instructors at PUGS and we also have great students, and every successful endeavor I’ve been a part of has been built on tapping into the creativity of people around me. I know I want to help create things that are 1) fun and 2) continue in the great PUGS legacy of building something provocative largely because no one else dared to try it.

What does lifelong learning mean to you? I think a lot of people are more informed than they have ever been - indeed, the human community has never had more ready access to information, and it’s not even close. But it doesn’t feel like it’s really amounting to much - every day we watch in horror as clearly bad and wrong things happen and we feel powerless to do anything about them. I’m not sure the tide is turning quite how I once assumed it would. I want to figure out how my insatiable desire for more and more information can be used to create the world that I want to live in and pass down. I don’t think I have the answer, but, as I get older, I’m realizing more and more that learning this trick is going to be a lifelong endeavor.

Megan Leatherman on How to Know What Kind of Pivot You Need in Your Career

Not everyone who’s unhappy at work needs a major career overhaul. Sometimes we just need to make small pivots along the way, tweaking here and there as our situations and feelings about the work change.

When we’re in the work every day, it can be tough to know if we really need something big to be different, if it’s just a small change that’s needed, or if something else is at play in another area of our lives.

In my experience as a coach, I’ve seen a few sure signs that a career tune-up is needed:

  • You constantly feel overwhelmed and mentally "flooded" at work

  • You feel tension in your body when you walk through the office door or even think about going to work

  • You find yourself getting anxious, angry, or sad at the end of your weekends

  • You're exhibiting physical symptoms that weren't there previously, like a racing heart, excessive sweating, headaches, etc.

Other important signals might be things like boredom, feeling drained at the end of each day, or just sensing a tug toward something new.

 Megan Leatherman, PUGS Instructor

Megan Leatherman, PUGS Instructor

None of these signs mean you're bad or that you've done something wrong, they're simply your intuition trying to send you a message.

If you see your experience reflected in any of those points above, then you probably need a little professional realignment, and knowing what kind of tune-up you need is immensely helpful.

When we're in that space of sensing that something's not quite right, we can ask two powerful questions that are posited by Chris Guillebeau in his fun and accessible book, Born For This: How to Find the Work You Were Meant to Do.

The first question to ask ourselves is: Is it working?

Is the work you're doing actually working, as in: Is it bringing in enough money for you? Are you able to produce quality work? Is what you're creating resonating with the people it's meant to resonate with? Basically, is your career functional?

The second question is: Do you still enjoy it?

You might be getting promotions left and right, but do you hate the work? That's a red flag. In order to create a career that's energizing, meaningful, and a reflection of your unique giftedness, it's critical that you actually enjoy the day to day work.

Try to determine whether you enjoy the work itself or the fruit of the work, like praise from others, the "status" it gives you, industry accolades, etc. While all of those things might be fun results, if you don't feel a connection to the work itself, you may not be operating in alignment with your strengths, which can eventually feel really draining.

If your answer to both of those questions is "yes," then you're probably in the right spot professionally, which is great!

If you answered "no" to one of them, then maybe it's time to make a career pivot or switch some things up in your current environment so that you feel more aligned with the how and the what of the work. This might mean that you need to take on more responsibility, foster more connection with your peers, or commit to doing less each day. Your first step if you answered "no" to one of the questions above will be to try and optimize the aspects of where you are right now.

If you answered "no" to both of them, then something bigger needs to shift so that you can be expressing your gifts in a way that's more fulfilling and in a way that actually works. If you're in this bucket, there are a lot of amazing resources available to you, including career coaches, helpful online resources like this one, and the upcoming course, Intuitive and Intentional Career Development.

While it can be an overwhelming place to be in, my work with hundreds of professionals in transition tells me that you absolutely have what it takes to navigate the transition in a good way. Career development is a lifelong process, and you have important gifts to share with the world - it’s just about finding the right environment in which you can flourish.

A very important note: going through this exercise will only be helpful if we can be completely honest with ourselves as we answer those two questions.

If there's any part of you that hesitates to admit that things aren't working, or that tries to convince yourself that you do still enjoy it when deep down you know you don't, notice it.

It can be really hard to admit to ourselves that something we've worked at for so long just isn't fitting for us anymore. I've been in that place myself, and I know how uncomfortable it is.

I say this because while Guillebeau's questions are elegantly simple, our egos can over-complicate things in order to try to protect us from the truth.

The truth will feel clear and expansive to you.

If you're seeing the signs that something isn't working for you anymore, it can be an amazing opportunity to practice authenticity. You can choose freedom and answer those questions in a way that resonates deeply with you - the way that only the truth can.

Mic Crenshaw on connecting hip hop, spoken word, and anti-fascist activism

 mic crenshaw

mic crenshaw

PUGS: Hip Hop, Spoken Word, and Anti-Fascist Organizing? How are these things related?

To me it's not a stretch to see theses things as related because in a very real and personal way, these cultural, political, and artistic forces have shaped my life. I have spent the majority of my life using spoken word and hip hop lyricism as a professional emcee to ask questions to an audience that consumes my art. I ask these same questions to classrooms full of students in my city and across the U.S. as well as across the globe.

The questions I ask are related to the potential and capacity for us to create a more just society. In asking these questions I am taking history into consideration as we examine the scientific evidence of processes are at the root of the oppressive systems of dominant culture. What consciousness lies at the root of the attitudes of individuals and groups of individuals who are currently being mobilized toward fascism?

I want to look at the history of fascism in the U.S., Europe, and locally, in recent decades and of course currently. I want to explore the movements to confront, fight, and hopefully end fascism in our communities, historically and currently.

In April's Hip Hop, Spoken Word, and Anti-Fascist Organizing, we will explore how art plays a role in cultural and political movements. There is so much to explore! Let’s listen to powerful hip hop and poetry that isn’t afraid to express with clarity what politicians and media pundits fail to recognize. Let's learn some techniques for writing our own creative works that speak truth to power and inspire each other.

Shot and edited by Elijah Hasan with additional drone footage shot by Kunu Bearchum. Directed by Mic Crenshaw and Elijah Hasan. Earthbound is a Hip Hop song about the Ecological crisis we face as Earthlings. Skin, scales, fins and feathers, we're all in this together, fire and ice, changing weather, here we are now, Earthbound.

Stella Harris, on sharing accurate and shame-free information about sex, sexuality, and bodies

PUGS course you’re teaching and why: I’m teaching Sex Ed for Adults. I’ve been a professional sex educator for the past six years, although accurate and shame-free information about sex, sexuality, and bodies has been a life long passion. I’m dismayed by the lack of good information people receive in school, or even as adults if you turn to the internet with your curiosity, and I’m excited to help people learn how to find more pleasure in their bodies, and with their partners, as well as information about how to be safe - without resorting to fear-based teaching. 

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When I worked in animal welfare we used to say we wanted to put ourselves out of a job. As a sex educator I feel the same way. I wish young people got so much good information from their families and their schools and their libraries that the notion of adult sex education was redundant. But I don’t see that happening any time soon. And that’s just for the basics; for information that covers health, safety, and pleasure. Add in some of my specialties, like intimacy and BDSM, and I think I’ll have more than enough work to do for a very long time.

Who’s the target audience of this class: Any adult who is curious about sex and sexuality or who wants to find ways to level up their own sex life. 

Best thing about PUGS: I absolutely love that PUGS give people the opportunity to keep learning far after their school days. They have so many interesting topics, and being able to enroll in only the classes that appeal to you makes it easy to fit life-long learning into any schedule. 

I care about lifelong learning because: There is so much to know! Continuing education is essential to living a full and informed life. There is always more to know, and more is always being discovered. We can’t be fully engaged in society or in our communities without keeping ourselves informed. 

How did you get into sex education: I became a sex educator out of necessity. At the age of 13 I had to teach my grandmother about female anatomy – specifically the hymen. It didn’t take long for my grandmother to discover [my] tampons, and when she did she pitched a fit. She was convinced using tampons would break my hymen. At thirteen years old I wasn’t yet equipped to have a discussion with my grandmother about women only being valued for their purity, or about the harmful (and irrelevant) concept of virginity. But I did know enough about female anatomy to set her straight. First I told her that having engaged in gymnastics and horse back riding it was entirely possible my hymen was already torn. (As advanced as I was for 13, I didn’t yet know that the notion of tearing a hymen is just one more way violence against women is steeped in our language, and that stretching is far more accurate.) This did not comfort her. So off I went to grab the appropriate edition of the Encyclopedia Britannica (a gift from my other grandmother, who had passed only a year before my mother.) I turned to the blessedly complete and accurate section on female anatomy and read her the passage on the hymen and well as showing her the picture, and made it clear there was more than enough room for a tampon. Read more on Stella's blog. 

Neeraja Havaligi, on why choosing a certain type of tomato can be a powerful act of saving biodiversity

PUGS course you’re teaching and why: I am teaching Crop Diversity at PUGS. You will see it subtitled with "Change Your Palate, Change the Future," which may make you think, "Wow, not another job for me to do!” But, what if I said that going to the farmers market, tasting a whole new array of crops, and taking some home to try is a powerful act of saving biodiversity? Would you believe that? The truth is, we as consumers determine much more than we know. Even the simple act of choosing a certain crop or a certain variety of tomato or squash can be significant for crop diversity and for the farmer who grows it. 

We'll also look at how crops shape local cuisine and how cuisine shapes cultures.

I am teaching this because working with crops, farmers, ecosystems, and the rest of us "consumer communities" is my passion. Understanding seeds, crops, and farmers' work is central to saving agrobiodiversity and our own food secure future, especially in the changing climate. And so I teach!

Who’s the target audience of this class: Anyone who has ever had questions about food, such as:

  • How does it arrive to our plate (beyond the grocery store)?
  • Where does it comes from? (Does it have a history like we do?)
  • How is it produced?
  • What routes does it travel before arriving home in its final form?
  • How do plants grow and why are they are different from each other?
  • Who owns seeds? Who owns the knowledge of their cultivation and their use?
  • What is biodiversity?
  • Why should I worry about farmers, their crops, their struggles, their droughts/floods, etc?

In short, this class is for all who eat food and have ever felt any curiosity about it!

Best thing about PUGS: PUGS has given me a space to engage with curious people who want to keep learning about things they care about. I took a class on writing about social justice with Matt Kinshella. The way Matt conducted the class and the interactions I had with fellow students from diverse background but similar goals — it inspired me. I realized that I was learning a ton, not only from Matt, but also from my fellow students and from myself, too. That experience reaffirmed that I am a lifelong learner, that there are many people like me (a whole community, in fact), and that learning is not only fun, but it translates to real value. After Matt’s class, I’ve felt better able to write about causes I care for.

I care about lifelong learning because: It’s what I witnessed growing up. My parents were lifelong learners as were my grandparents. I’ve seen the difference it makes in adult lives, which can too often become narrowly structured, siloed, and uninspiring.

I’m also a believer in the power of communities that share their talents and knowledge. That’s why I feel especially happy that Leah Walsh and Seed Farmers' Andrew and Brian will join our class to share their knowledge. Deep inside, I believe we are all farmers, farming for good actions, deeds, and thoughts. We’re all trying to build the capacity in our communities to thrive and give back. Lifelong learning is one of those lifelong "farming" or growing tools that is meant for all of us.

Crop Diversity starts February 1.

PUGS Black History Month: How can we improve the lives of Black Portlanders without causing more harm?

Many of us like to think of Portland as a progressive hub that welcomes people of all races, genders, sexual orientations, and creeds. But Oregon was founded as an all-white “utopia”; slavery may never have been legal here, but people of color were explicitly excluded from taking residence. What does that history mean for Black people currently living in Portland?

Justice Rajee, who has lived in Portland for 13 years, is confronting this discussion head-on by teaching a course at Portland Underground Graduate School (PUGS) in February for Black History Month. In this four-week course, Portland’s African American Boys: How to Be an Ally, Justice and course attendees will examine the history of Blackness in Oregon, along with perceptions of Black men in the media and throughout our communities. By the course’s end, students will have plans for constructive actions they can take beyond the classroom to support the livelihoods of Black men and boys in Portland.

 Justice Rajee

Justice Rajee

“Black men and boys are not usually the focus of discussion unless we are talking about a deficit,” Rajee says. “Then, we tend to talk about the deficit, and what the deficit looks like, and how we may be able to impact the deficit. Meanwhile the thoughts, feelings, and aspirations of those same Black men and boys are not treated as worthy of study.”

During the day, Rajee is the CHI Elevate Program Manager at Portland Opportunities Industrialization Center (POIC). The organization provides one-on-one case management and mentoring to African American gang-impacted men ages 17 to 25. Because of his day job, many people end up asking him how they can help Black Portlanders without causing more harm. That was a big inspiration for creating the course with PUGS.

“My response,” he says, “is to place myself out there to share my slice of understanding and experience.”

To give participants a solid background, the course will begin by examining data on the lives of Black Portlanders—and by talking through individually held biases honestly.

“We live in a racist society that taught me terrible things about myself that I had to unlearn as a necessity for personal survival,” Rajee says. “We have to confront the ideas that we have ingested in society in real time, in my view, and challenge them.”

Portland Underground Graduate School is a community-based organization dedicated to lifelong learning. Portland’s African American Boys: How to Be an Ally starts Tuesday, February 6 at 7 p.m. at Taborspace. Sign up here.

George Winborn, on how to find the wisdom that is already inside each of us

This is PUGS instructor George Winborn’s first course at PUGS. He’s excited to share his life experiences and to help his students savor life’s hardest times as huge growth opportunities.

PUGS Course you’re teaching and why: I’m teaching Thriving through Heartbreaking Personal Change because it feels like we’re going through a cataclysmic shift in the world today —individually and across the planet— and I want people to have the tools they need to deal with it better.

I’ll be teaching students how to use a simple meditation technique called active imagination to connect them to their inner guidance. Learning this helped me open up a whole new view into my inner life. It’s like tapping into the wisdom people used to get from grandparents or other wise elders. This wisdom is already inside each of us, we just have to connect to it.

We’ll also use movement to begin unlocking the emotions stuck inside us, and our voices to move them out of us. Once I started doing this, I felt heartbreak beginning to ignite more compassion, patience, and heart-centeredness inside me. This has played out not only in the big things I want to do with my life (like teach, listen and counsel) but most especially in the small day-to-day moments when I can spend an extra moment with myself to stay grounded, or look someone in the eye and sincerely ask how they’re doing. Heartbreak scours the soul, forcing us to expand how we love and care for ourselves and the people in our community.

 George and Coco

George and Coco

Who’s the target audience of this class: Anyone who feels overwhelmed by what’s happening in the world today. Anyone experiencing anger, sorrow, shame but doesn’t feel comfortable actually feeling it. The purpose of the course is to give people structures they can use to process these big emotions through their minds, bodies and spirits. To let them run their course instead of suppressing them. The first time you do something, it feels scary and difficult. Over time, it gets easier. The same happens when you’re riding the waves of emotions. After a while, you come to experience these big emotions as neither good nor bad; they just are and should be allowed to do their work in transforming you.

Best thing about PUGS: It’s so inspiring being around a community of curious adults! People who want to do better for themselves and the world. While taking Financial Freedom with PUGS founder, Douglas Tsoi, I connected to how money affects me emotionally, which shifted my outdated views on money. Now I actually have a budget and a plan for how to retire! Amazing.

I care about lifelong learning because: I always want to grow. Feeding my mind and my skill sets –whatever they may be, from finances to architectural history—makes me feel alive. When I stop learning, put me in the ground. You have to exercise your mind the same as your body. It keeps it young, supple and ready for whatever may come!

Instructor John Doyle, on why he gave up trivia night hosting for PUGS

This month, PUGS Instructor John Doyle is teaching Class, Race, and the Urban Landscape. Before class is in session, we asked him to share some reflections with us. 

What PUGS courses have you taught? I have now taught 12 PUGS classes including Portland History, Architecture and Urban Development, Portland Architectural History, Portland Architectural Forensics, Portland's Urban Landscape, Beauty and Aesthetics I, II and III and Images of Woman.

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What are indicators of “success” for you in your courses? My biggest indicators of success is seeing involvement and participation from students, positive responses on course evaluations, and seeing return students in future classes. My specific goals change for each class, but as most of my classes a geared towards history and art history, my principal goals are to impart a certain amount of background, and also more focused information to students, many of whom come to class with little or no familiarity with the material. Also, I seek to engage students and get them comfortable with looking at images (usually artwork) and objects (usually buildings) in new, exciting and analytical ways which they take away from class and continue to develop on their own once I have provided them with what I call "the basic tool kit of observation and analysis."

How did you learn about PUGS? I was a Portland trivia host for 12 years, and I learned about PUGS from regular attendees to one of my trivia nights. They are friends of Doug and thought I had a certain knowledge base which could add to the PUGS curriculum. Ultimately I gave up being a trivia host because I found PUGS to be more intellectually stimulating and substantive. It also requires less drinking and I can go to bed earlier.

What's your favorite aspect of PUGS? My favorite aspect of PUGS is learning the new model of education based on participation, conversation, feedback and personal exploration rather than the old-school method of lecture on the part of the teacher and absorption on the part of the student. This was the model with which I grew up and I was very good at it -- so it is an ongoing challenge and opportunity for me to present my classes in a new and interactive way where I learn as much from the students and their way of seeing with fresh eyes as they learn from me and the massive amount of information I keep stored away in my head. My students often marvel on the sheer quantity of information I can just regurgitate on demand but my favorite Doug Tsoi [PUGS founder] saying is "there is a difference between information and learning." I understand this to be true more and more with each PUGS class I teach.

What do you love about Portland? I love that Portland is a comprehensible city. A place to which one can move and not feel overwhelmed by an impersonal urban environment. Portland has all of the cultural assets of a city many times its size but few, if any, of the drawbacks and stresses one tends to associate with large metropolitan environments. I realize many people think this aspect of Portland is changing for the worst and doomed in the long run, but since the urban models I grew up with are New York City, Boston, and Seoul, South Korea, Portland still seems like a very large, small town to me, endowed with cultural gems far exceeding what one would otherwise expect to find in city this size.

What is your favorite spot in Portland on a sunny day? What's your favorite spot in Portland on a rainy day? Other than reading on my front porch in inner Northeast, my favorite spots in Portland, sunny or rainy, hot or cold, are River View Cemetery for outdoors and the research library of the Oregon Historical Society for indoors. They both provide me with the same opportunity to learn about and from the city which I love so much. The only major difference is that one hold books and photos, and the other has trees and tombstones. The lessons and information I take away from each differ only in the format.

Elena: "I'm like one of those sharks..."

Decoding Plants (July 2017)

Name: Elena

Course you’re taking and why: I met Douglas, the founder of PUGS, at a party. He said the word underground and we happened to be in a speakeasy and I like pugs. Shortly thereafter, an ecologically-minded landscape designer I follow on Instagram posted that she was going to be teaching a PUGS plant class [Decoding Plants].

It seemed like destiny. Her course description was super enticing, promising a way to learn a pattern language and framework for plant ID instead of the species-by-species memorization I was accustomed to.

Your instructor was amazing because: Mulysa has a remarkable combination of deep experience, prep, passion, science, soul, approachability and generosity that makes taking her class a delight. Plus it was taught in a mini, permiculture botanical garden (AKA her backyard) and I wasn't able to find a plant she couldn't identify.

Best thing about PUGS: Taking a break from my usual grind and learning from and with other Portlanders who share a similar passion just for the hell of it and not for a degree or work is really, really fun and revitalizing. 

I care about lifelong learning because: I'm like one of those sharks who must keep swimming to live. Substitute me for the shark and learning for swimming.

Dream course you want PUGS to offer: Hmm, perhaps fly fishing small creeks for trout or an edible mushroom hunting field trip.

Lindsay Burnette: "Opening my mind to untaught histories and alternative ways of living"

Name: Lindsay Burnette

Course you’re taking and why: Improvisation for Mindfulness - to make new friends, laugh a lot, take new risks, be more spontaneous.

Biggest takeaway: Improv can be part of everyday life. When we take risks, observe without judgement and let our imaginations run - we are improvising.

Most interesting perspective from another student: I'm taking this class with my mother's graduate school professor and my life-long family friend. I'm learning what makes him laugh and what he struggles with each day. I'm in my twenties and he's in his seventies, so our perspectives are quite different, but we both leave class each week with smiles.

Best thing about PUGS: PUGS has opened my mind to untaught histories and alternative ways of living. PUGS has allowed me to learn from and alongside my neighbors, finding shared interest and commonality among people I may never have connected with otherwise. In an often isolating time, PUGS creates community spaces that are accessible, engaging, full of curiosity and critical thinking and free of judgement.

I care about lifelong learning because: Learning connects me to my community and my surroundings, and gives me continued inspiration. There is always more to learn.

Dream course you want PUGS to offer: There are so many! Navigating the Portland Night Sky, The Engineering Behind Portland's Bridges, Social Justice Design, Designing Inclusive Places

What makes your instructor amazing? Marilyn embodies all that she teaches: be in the moment, let go of expectations, withhold judgements - she seems to do all of this in her own cheerful, quirky and humble way.